Erich Hörl: Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form
Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form
(p. 197 – 208)

Erich Hörl

Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form

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Erich Hörl

Erich Hörl

Erich Hörl est professeur de Culture et de Philosophie des Médias à l’Université Leuphana de Lüneburg et co-directeur du Leuphana Institute for Advanced Studies in Culture and Society. Il travaille principalement sur les questions d'une écologie générale et d'une critique de la pensée environnementale, ainsi que sur le problème de la condition disruptive. Parmi ses publications, on trouve Die heiligen Kanäle. Über die archaische Illusion der Kommunikation (diaphanes, 2005), des éditions programmatiques comme Die technologische Bedingung (Suhrkamp, 2011), General Ecology. The New Ecological Paradigm (Bloomsbury Academics, 2017), Critique and the Digital (avec N. Y. Pinkrah, L. Warnsholdt, diaphanes, 2021) et une édition de textes de Gérard Granel, Die totale Produktion. Technik, Kapital und die Logik der Unendlichkeit (Turia+Kant, 2020).
Autres textes de Erich Hörl parus chez DIAPHANES
Marietta Kesting (éd.), Maria Muhle (éd.), ...: Hybrid Ecologies

The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In its present reformulation it refers to the multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, i.e. to the complex relations of human and nonhuman agents. The book Hybrid Ecologies understands ecology as an ambivalent notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time raises questions not least concerning its genealogy. The interdisciplinary contributions seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular. The present publication is the result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich.

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